- BPM
- 64
- Key
- E Major
- Camelot
- 12B
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) - Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana Information
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 3%
- Instrumentalness
- 94%
- Liveness
- 11%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 31%
- Loudness
- -28.526 dB
Summary
"Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live)" by Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana was released on December 17, 2012. Since Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Ravel Concerto en sol La Valse". In this album, this song's track order is #2. Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) BPM
With Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) by Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | |
 | Elégie | Jules Massenet, Mischa Maisky, Daria Hovora | G Minor | 0 | 6A | 70 BPM | |
 | Aria de la Pastorale en ut mineur BWV 590 | Johann Sebastian Bach, Alexandre Tharaud | F Minor | 1 | 4A | 123 BPM | |
 | Poulenc: Cello Sonata, FP 143: II. Cavatine (Live) | Francis Poulenc, Martha Argerich, Francesco Piemontesi | D♭ Major | 0 | 3B | 85 BPM | |
| Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance (Live) | Wolfgang Amadeus Mozart, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana | B♭ Major | 1 | 6B | 82 BPM | |
 | Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Philippe Entremont, Eugene Ormandy, Philadelphia Orchestra | B♭ Major | 0 | 6B | 118 BPM | |
 | Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | |
 | Gnossiennes - Orch. Poulenc: No.3 | Erik Satie, Orchestre National De France, Charles Dutoit | A Minor | 0 | 8A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0520296096801758
End: 1.0567021369934082