- BPM
- 117
- Key
- A♭ Major
- Camelot
- 4B
English Folk Song Suite: I. March "Seventeen Come Sunday" - Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra Information
- Acousticness
- 96%
- Danceability
- 41%
- Energy
- 22%
- Instrumentalness
- 95%
- Liveness
- 7%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 56%
- Popularity
- 31%
- Loudness
- -20.271 dB
Summary
Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra made "English Folk Song Suite: I. March "Seventeen Come Sunday"" available on January 1, 1999. The duration of English Folk Song Suite: I. March "Seventeen Come Sunday" is about 3 minutes long, at 3:27. Based on our data, "English Folk Song Suite: I. March "Seventeen Come Sunday"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in British Wind Band Classics by Timothy Reynish, Royal Northern College Of Music Wind Orchestra. In terms of popularity, English Folk Song Suite: I. March "Seventeen Come Sunday" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
English Folk Song Suite: I. March "Seventeen Come Sunday" BPM
The tempo marking of English Folk Song Suite: I. March "Seventeen Come Sunday" by Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
English Folk Song Suite: I. March "Seventeen Come Sunday" Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Flight of the Thunderbird | Richard Saucedo, Midwest Wind Ensemble | B♭ Major | 4 | 6B | 78 BPM | |
 | Lincolnshire Posy: VI. The Lost Lady Found | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | A Minor | 1 | 8A | 94 BPM | |
 | The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | |
 | Children's March "Over the Hills and Far Away" (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | B♭ Major | 3 | 6B | 126 BPM | |
 | Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | F Major | 1 | 7B | 116 BPM | |
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | D♭ Major | 0 | 3B | 121 BPM | |
 | Alleluia! Laudamus te | Alfred Reed, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | B♭ Major | 1 | 6B | 82 BPM | |
 | The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | |
 | La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | |
 | Greek Folk Song Suite, Op. 25: III. Vasiliokos tha jino | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | G Minor | 3 | 6A | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6654410362243652
End: 0.6719679832458496