Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) - Franz Liszt, Vladimir Horowitz Information

"Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner)" by Franz Liszt, Vladimir Horowitz was released on 1930. Since Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Vladimir Horowitz's "Horowitz Plays Liszt" album is number 8 out of 33. Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) BPM

We consider the tempo marking of Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) by Franz Liszt, Vladimir Horowitz to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Isoldes Liebestod from Tristan und Isolde, S. 447 (after Richard Wagner) Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.