"Bach & Gounod: Ave Maria, CG 89a" by Charles Gounod, Johann Sebastian Bach, Gautier Capuçon, Frank Braley was released on May 8, 2020. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Symphonie pour la vie". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Bach & Gounod: Ave Maria, CG 89a is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach & Gounod: Ave Maria, CG 89a by Charles Gounod, Johann Sebastian Bach, Gautier Capuçon, Frank Braley having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Gai printemps | Mel Bonis, Trio Alouette | A Major | 1 | 11B | 64 BPM | ||
Improvisation No. 15 (Hommage à Édith Piaf) | Francis Poulenc, Florian Billot | C Minor | 1 | 5A | 68 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Arr. for Cello and Piano by C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | A Minor | 1 | 8A | 78 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Ah, je veux vivre ! (From Romeo et Juliette) | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 0 | 8B | 141 BPM | ||
Belle | Richard Cocciante, Gautier Capuçon, Jerome Ducros, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 1 | 8B | 79 BPM |
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