"Songs of Old Ireland (Version for Voice & Orchestra): No. 42, When She Answered Me" by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Songs of Old Ireland (Version for Voice & Orchestra): No. 42, When She Answered Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of Old Ireland (Version for Voice & Orchestra): No. 42, When She Answered Me by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Hebrew Love Songs 1. Temuna | Eric Whitacre | G Major | 1 | 9B | 87 BPM | ||
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Tre Körvisor - September | Wilhelm Stenhammar, Eric Ericson | B Minor | 1 | 10A | 81 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
O Most Merciful | Charles Wood, Choir of Gonville & Caius College, Cambridge, Gavin Roberts, Geoffrey Webber | G Minor | 0 | 6A | 139 BPM | ||
3 Motets, Op. 43: No. 2, Peace I Leave with You | Knut Nystedt, The Norwegian Soloists' Choir, Grete Pedersen | D♭ Minor | 0 | 12A | 86 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM |