Heitor Villa-Lobos, Luiz de Moura Castro's 'Ciclo brasileiro: No. 4. Danca do Indio Branco' came out on May 1, 2013. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Villa-Lobos: Música para piano by Heitor Villa-Lobos, Luiz de Moura Castro. The song's track number on the album is #18 out of 18 tracks. Based on our data, Spain was the country where this track was produced or recorded. Ciclo brasileiro: No. 4. Danca do Indio Branco is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ciclo brasileiro: No. 4. Danca do Indio Branco by Heitor Villa-Lobos, Luiz de Moura Castro has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ciclo brasileiro: No. 4. Danca do Indio Branco being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana | Isaac Albéniz, David Russell | E Minor | 1 | 9A | 91 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | ||
Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
Ciclo brasileiro, W374: No. 2, Impressões seresteiras | Heitor Villa-Lobos, Carlos Manuel Vargas | D♭ Minor | 2 | 12A | 94 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM |
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