Franco Corelli's 'Torna A Surriento' came out on September 30, 2010. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Napolitaanse Liederen". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Torna A Surriento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna A Surriento by Franco Corelli having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mascagni: Cavalleria rusticana: "Mamma, quel vino è generoso" (Turiddu, Lucia) | Pietro Mascagni, Franco Corelli, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini | A♭ Major | 2 | 4B | 98 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Werther, Act I: Dividerci dobbiam | Jules Massenet, Loretta di Lelio, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile | F Major | 1 | 7B | 74 BPM | ||
O Sole Mio | Franco Corelli | F Major | 4 | 7B | 124 BPM | ||
Carmen: Act II: Les tringles des sistres tintaient | Georges Bizet, Leontyne Price, Franco Corelli, Robert Merrill, Mirella Freni, Monique Linval, Geneviève Macaux, Jean Christophe Benoit, Maurice Besancon, Frank Schooten, Bernard Demigny, Herbert von Karajan | C Major | 3 | 8B | 147 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Giordano: Andrea Chénier, Act 3: "Andrea Chénier! Coraggio! … Si, fui soldato e glorioso" (Dumas, Gérard, Maddalena, Fouquier-Tinville, Chénier, Chorus) | Umberto Giordano, Paolo Pedani, Mario Sereni, Antonietta Stella, Giuseppe Modesti, Franco Corelli, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | E Minor | 2 | 9A | 78 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | ||
Carmen: Act I: Prés des remparts de Séville | Georges Bizet, Leontyne Price, Franco Corelli, Robert Merrill, Mirella Freni, Monique Linval, Geneviève Macaux, Jean Christophe Benoit, Maurice Besancon, Frank Schooten, Bernard Demigny, Herbert von Karajan | D Major | 1 | 10B | 103 BPM |
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