Linda Thompson's 'If I Were a Bluebird' came out on 2013. Since If I Were a Bluebird is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Won't Be Long Now by Linda Thompson. The song's track number on the album is #3 out of 11 tracks. In terms of popularity, If I Were a Bluebird is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since If I Were a Bluebird by Linda Thompson has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With If I Were a Bluebird being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Not Over By Half | Joan Shelley | B Major | 2 | 1B | 112 BPM | ||
Come All Ye Fair & Tender Ladies | Red Tail Ring | E♭ Major | 2 | 5B | 157 BPM | ||
God Loves a Drunk | Norma Waterson | D Major | 3 | 10B | 111 BPM | ||
After You're Gone | Iris DeMent | B Major | 0 | 1B | 149 BPM | ||
Water In The Ground | Catherine MacLellan | G Major | 5 | 9B | 127 BPM | ||
Wildflowers in the Graveyard | Amber Rubarth | G Major | 1 | 9B | 80 BPM | ||
The Golem / Act 3: 24. "Kill, Kill Until The Last Jew Is Dead" | Larry Sitsky, The Australian Opera and Ballet Orchestra, Christopher Lyndon-Gee, Christopher Doig, Lindsay Gaffney, Linda Thompson, Julie Dalton, Kerry Henderson, Raymond Myers | D Major | 4 | 10B | 108 BPM | ||
Put The Fire Out | Courtney Marie Andrews | E♭ Major | 5 | 5B | 142 BPM | ||
Tide And The River Rising (Oars) | Cindy Kallet | B♭ Major | 1 | 6B | 134 BPM | ||
Pretty Little Miss | Joan Shelley, Doug Paisley | E♭ Minor | 3 | 2A | 110 BPM |
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