"Can silim tun: II. —" by Hilda Paredes, Neue Vocalsolisten Stuttgart, Arditti Quartet was released on July 26, 2005. With this song being about 5 minutes long, at 4:40, "Can silim tun: II. —" by Hilda Paredes, Neue Vocalsolisten Stuttgart, Arditti Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hilda Paredes, Arditti Quartet, Neue Vocalsolisten Stuttgart, Stefan Asbury's "Listen How They Talk: Chamber Music 1998-2001" album is number 5 out of 5. On top of that, United States appears to be the country where this track was created. Can silim tun: II. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Can silim tun: II. — by Hilda Paredes, Neue Vocalsolisten Stuttgart, Arditti Quartet to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kartsilamades: No. 3, Allegro (Arr. Sollima) | Traditional, Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Variations on a theme of Paganini: Var. 14. Alla giga | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Ghosts of Hong Kong | Micah Sandt | A♭ Major | 0 | 4B | 79 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Violin Concerto No. 1: I. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | D Minor | 4 | 7A | 110 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Flowers In The Night | DVMAGE | E♭ Major | 0 | 5B | 140 BPM | ||
Piano Distance | Toru Takemitsu, Kotaro Fukuma | F Major | 0 | 7B | 137 BPM | ||
Calmo e ricercato | Campana Tibetana | C Minor | 0 | 5A | 78 BPM | ||
Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.922072172164917
End: 0.9262127876281738