"Under der Linden" by Walther von der Vogelweide, Obsidienne, Emmanuel Bonnardot had its release date on April 26, 2024. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Under der Linden's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Trouvères et Troubadours : Aux origines de la chanson". In this album, this song's track order is #24. Furthermore, we believe that the track originated from France. Based on our statistics, Under der Linden's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Under der Linden by Walther von der Vogelweide, Obsidienne, Emmanuel Bonnardot having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Cantigas de Santa Maria (Excerpts Attrib. Alfonso X): No. 166, Como póden per sas culpas os hómes seer contreitos | The Rose Ensemble, Jordan Sramek | A Minor | 6 | 8A | 54 BPM | ||
Vil wol gelopter got (God, so highly extolled) (completed by M. Lewon) | Walther von der Vogelweide, Marc Lewon, Els Janssens-Vanmunster, Baptiste Romain | C Major | 0 | 8B | 173 BPM | ||
Has tu point veu | Adrian Le Roy, Baltimore Consort | C Major | 1 | 8B | 115 BPM | ||
Li noviaus tens | Chastelain de Couci, James Bowman, Early Music Consort Of London, David Munrow | C Major | 1 | 8B | 171 BPM | ||
Germania | Duivelspack | F Minor | 3 | 4A | 74 BPM | ||
Nu enbeiz ich doch des trankes nie | Bernger von Horheim, Ciarlatani, I | C Major | 1 | 8B | 112 BPM | ||
Hymn to Nemesis | Petros Tabouris Ensemble | D Major | 1 | 10B | 100 BPM | ||
Razboinika (The Wise Thief), Op.40, No.3 | Pavel Chesnokov, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | B♭ Major | 0 | 6B | 78 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM |