"Three Latin Motets from 'The Last Supper': I. O bone Jesu" by Harrison Birtwistle, BBC Singers, Nicholas Kok was released on February 10, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Harrison Birtwistle, BBC Singers, Nash Ensemble, Nicholas Kok's "Harrison Birtwistle: The Moth Requiem" album is number 2 out of 8. Three Latin Motets from 'The Last Supper': I. O bone Jesu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Latin Motets from 'The Last Supper': I. O bone Jesu by Harrison Birtwistle, BBC Singers, Nicholas Kok to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
HFDBMX | KNOXVILLETRACKZ | G Minor | 0 | 6A | 87 BPM | ||
Secret Theatre: Figure 26 | Harrison Birtwistle, London Sinfonietta, Elgar Howarth | E Minor | 2 | 9A | 47 BPM | ||
Novelletten, H. 44: I. Andante moderato | Frank Bridge, Esmé Quartet | E Major | 5 | 12B | 72 BPM | ||
Bernstein: Symphony No. 2, "The Age of Anxiety": Part 1. The Seven Stages - Variation 11 (L' istesso tempo) | Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 3 | 9B | 92 BPM | ||
Clarinet Sonata, FP 184: I. Allegro tristamente – Très calme – Tempo allegretto | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Violin Concerto: II. Warm | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Fear | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Elternabend | Marvin Miller | C Major | 3 | 8B | 82 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM |
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