Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento's 'Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents' came out on February 17, 2017. The duration of Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents is about 3 minutes long, at 3:20. Based on our data, "Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "The Routes of Slavery". In this album, this song's track order is #16. Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents by Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcione, Acte I Scène 3: "Ce n’est point mon palais qu’il faut réduire en poudre" | Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 69 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM | ||
Le Divertissement Royal de Versailles, LWV 38: Les Suivants de Neptune (1664-1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 4 | 4A | 100 BPM | ||
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Bourée D'Avignonez (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 4 | 9B | 114 BPM | ||
Sonata A 2 | Henry Purcell, Jordi Savall | G Minor | 1 | 6A | 91 BPM | ||
Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: IV. Loure | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | F♯ Major | 1 | 2B | 157 BPM | ||
Water Music - Suite #1 In F, HWV 348 - Alla Hornpipe | George Frideric Handel, Jordi Savall | D♭ Minor | 0 | 12A | 97 BPM | ||
Ainhara & Canto de ciego I | Traditional, Jordi Savall, Pedro Estevan | B♭ Major | 3 | 6B | 86 BPM | ||
Cantus Caravaggio I (Jordi Savall) | Jordi Savall, Hespèrion XXI | G Minor | 0 | 6A | 95 BPM |
Section: 0.7051856517791748
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