- BPM
- 175
- Key
- C Minor
- Camelot
- 5A
La Bayadère / Act 1: No.2 Maestoso - Ludwig Minkus, English Chamber Orchestra, Richard Bonynge Information
- Acousticness
- 96%
- Danceability
- 13%
- Energy
- 6%
- Instrumentalness
- 89%
- Liveness
- 9%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 3%
- Loudness
- -20.359 dB
Summary
"La Bayadère / Act 1: No.2 Maestoso" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. The duration of La Bayadère / Act 1: No.2 Maestoso is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. La Bayadère / Act 1: No.2 Maestoso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 2 out of 42. The popularity of La Bayadère / Act 1: No.2 Maestoso is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bayadère / Act 1: No.2 Maestoso BPM
We consider the tempo marking of La Bayadère / Act 1: No.2 Maestoso by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
La Bayadère / Act 1: No.2 Maestoso Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | |
 | Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | |
 | Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | |
 | Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | |
 | Le Corsaire: Pas de deux (arr. J. Lanchberry): II. Allegro: Tempo di Valse: Men's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 3 | 4B | 51 BPM | |
 | Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | |
| Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | |
 | Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | |
 | Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7829174995422363
End: 0.7861728668212891