Anita O'Day, Billy May Orchestra's 'Bewitched, Bothered And Bewildered' came out on January 1, 1960. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Swings Rodgers And Hart". In this album, this song's track order is #4. Based on our statistics, Bewitched, Bothered And Bewildered's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bewitched, Bothered And Bewildered by Anita O'Day, Billy May Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Smoke Gets In Your Eyes | Dinah Washington | A♭ Major | 3 | 4B | 84 BPM | ||
Love Is Here To Stay | Blossom Dearie | D Minor | 2 | 7A | 131 BPM | ||
I Get Along Without You Very Well | Kurt Elling | B♭ Major | 1 | 6B | 114 BPM | ||
The Sidewinder | Lee Morgan | A♭ Major | 4 | 4B | 153 BPM | ||
Sentimental Journey | Renee Olstead | F Major | 2 | 7B | 90 BPM | ||
Embraceable You | Sarah Vaughan, Clifford Brown | C Major | 1 | 8B | 119 BPM | ||
Taking a Chance on Love | Jane Monheit | B♭ Minor | 4 | 3A | 173 BPM | ||
Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
Begin The Beguine | Gene Krupa | F Major | 3 | 7B | 122 BPM | ||
My Funny Valentine | Dinah Shore, André Previn | G Minor | 1 | 6A | 71 BPM |
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