Nicol Matt, Jörg Halobek, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Ute Petersilge, Johann Sebastian Bach, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Nordic Chamber Choir made "Uns Ist Ein Kindlein Heut' Gebor'n Bwv 414" available on March 28, 2007. With Uns Ist Ein Kindlein Heut' Gebor'n Bwv 414 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Uns Ist Ein Kindlein Heut' Gebor'n Bwv 414 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Uns Ist Ein Kindlein Heut' Gebor'n Bwv 414 by Nicol Matt, Jörg Halobek, Martina Rotbauer, Robert Sagasser, Heike Hümmer, Ute Petersilge, Johann Sebastian Bach, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Nordic Chamber Choir is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 10, "Oh wie sanft die Quelle sich" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | G Major | 2 | 9B | 134 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Mass in D Major, Op. 86 / Gloria: IIb. Gratias agimus tibi | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: V. Ach ja, mein Gott | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | B♭ Major | 0 | 6B | 55 BPM | ||
Lauda Sion, Op. 73: II. Coro | Felix Mendelssohn, Chamber Choir Of Europe, Nicol Matt, Württembergische Philharmonie Reutlingen | G Major | 0 | 9B | 83 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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