Philip Glass, Nicolas Horvath made "Etudes, Vol. 1: No. 5, —" available on September 4, 2015. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Nicolas Horvath's "Glass: Glassworlds, Vol. 2" album is number 5 out of 20. On top of that, Hong Kong appears to be the country where this track was created. Etudes, Vol. 1: No. 5, — is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Etudes, Vol. 1: No. 5, — by Philip Glass, Nicolas Horvath to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Times Curve Prelude No. 17 | William Duckworth, Silas Bassa | D♭ Major | 0 | 3B | 121 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Symphony No. 3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Helena Wanda Błażusiakówna, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa | B♭ Minor | 0 | 3A | 90 BPM | ||
Monk: Railroad (Travel Song) | Meredith Monk, Conrad Tao | E Minor | 1 | 9A | 111 BPM | ||
Dew and Spiderwebs | Hauschka | C Major | 2 | 8B | 94 BPM |
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