"Matthäus-Passion, BWV 244, Pt. 2: No. 63, Recitative. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) - "Wahrlich, dieser ist Gottes Sohn gewesen" [Chorus] - "Und es waren viel Weiber da" [Evangelist]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 63, Recitative. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) - "Wahrlich, dieser ist Gottes Sohn gewesen" [Chorus] - "Und es waren viel Weiber da" [Evangelist] is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 63, Recitative. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) - "Wahrlich, dieser ist Gottes Sohn gewesen" [Chorus] - "Und es waren viel Weiber da" [Evangelist]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #63. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Matthäus-Passion, BWV 244, Pt. 2: No. 63, Recitative. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) - "Wahrlich, dieser ist Gottes Sohn gewesen" [Chorus] - "Und es waren viel Weiber da" [Evangelist] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Matthäus-Passion, BWV 244, Pt. 2: No. 63, Recitative. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) - "Wahrlich, dieser ist Gottes Sohn gewesen" [Chorus] - "Und es waren viel Weiber da" [Evangelist] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Goldberg Variations, BWV 988: Var. 30, Quodlibet | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 165 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM |
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