"Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Hana Minutillo was released on 1994. With Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #13 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Anita Bader, Tunde Franko, Jaroslava Horska, Jolana Fogasova, Hana Minutillo has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I, Scene 12: O dattero fronzuto (Biancofiore, Garsenda, Adonella, Altichiara, Samaritana, Francesca) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Gianni Schicchi: O Simone? | Giacomo Puccini, Riccardo Cassinelli, Nicoletta Curiel, Eva Podles, Orazio Mori, Enrico Fissore, Roberto Alagna, Giorgio Giorgetti, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 2 | 8B | 68 BPM | ||
Francesca da Rimini, Op. 4, Act I, Scene 4: Come Morgana manda al re Artù lo scudo (Il Giullare) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, David Cale Johnson | D♭ Major | 2 | 3B | 83 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Rossini: Messa di Gloria: IX. Qui sedes ad dexteram Patris | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | F Major | 3 | 7B | 140 BPM | ||
La Fanciulla del West / Act 3: Ch'ella mi creda libero e lontano | Giacomo Puccini, Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | F♯ Major | 2 | 2B | 82 BPM | ||
Francesca da Rimini: Act I: Francesca, dove andrai? (Samaritana, Francesca) | Riccardo Zandonai, Pinuccia Perotti, Orchestra La Scala di Milano, Magda Olivero, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 75 BPM | ||
Gounod : Faust : Act 1 "Mais ce Dieu" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 108 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
Il trovatore: Condotta ell'era in ceppi | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra, Piero Giuliacci | D♭ Major | 0 | 3B | 90 BPM |
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