On April 26, 2019, the song "Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1)" was released by George Frideric Handel, Maurice Steger, La Cetra. With Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maurice Steger, La Cetra's "Mr Handel's Dinner" album is number 6 out of 31. Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1) by George Frideric Handel, Maurice Steger, La Cetra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in G minor, BWV 1056: Adagio | Johann Sebastian Bach, Hans-Peter Westermann | G Major | 0 | 9B | 100 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Netherlands Bach Collegium, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 93 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Sonata a tre in re maggiore: III. Vivace | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 2 | 3B | 183 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): IV. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | B♭ Major | 1 | 6B | 90 BPM |
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