"Pictures at an Exhibition: Samuel Goldenberg and Schmuyle" by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1998. The duration of Pictures at an Exhibition: Samuel Goldenberg and Schmuyle is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Lazar Berman, Berliner Philharmoniker, Herbert von Karajan's "Mussorgsky: Bilder einer Ausstellung" album is number 10 out of 31. On top of that, Germany appears to be the country where this track was created. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: Samuel Goldenberg and Schmuyle by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Vivaldi: L'estro armonico, Concerto for Two Violins in A Minor, Op. 3 No. 8, RV 522 "Per eco in lontano": I. Allegro | Antonio Vivaldi, Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | B♭ Major | 1 | 6B | 115 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 133 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Symphony No.7 In D Minor, Op.70: 1. Allegro maestoso | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | B♭ Major | 3 | 6B | 93 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 5 | 3A | 112 BPM | ||
Symphony No.9 In D / 2. Satz: Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 96 BPM |
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