Susannah McCorkle made "Forty-Second Street" available on January 1, 2008. The duration of Forty-Second Street is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Forty-Second Street's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Music of Harry Warren". In this album, this song's track order is #11. In terms of popularity, Forty-Second Street is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Forty-Second Street by Susannah McCorkle having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Softly As In A Morning Sunrise | Lorez Alexandria | F Minor | 1 | 4A | 148 BPM | ||
Something To Remember You By | Morgana King | C Major | 1 | 8B | 171 BPM | ||
Midnight Jazz | Mary Nelson, Peter Asplund | B♭ Major | 3 | 6B | 66 BPM | ||
The Night We Called It A Day - Live | Ruth Cameron | G Minor | 0 | 6A | 87 BPM | ||
No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
Easy Come, Easy Go Blues | Cécile McLorin Salvant | A Major | 1 | 11B | 89 BPM | ||
Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
Anything | Erin Boheme | G Major | 1 | 9B | 110 BPM | ||
Memphis In June | Irene Kral | A♭ Major | 1 | 4B | 92 BPM |
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