"Ich lasse dich nicht, du segnest mich denn BWV 157: Aria: Ich lasse dicht nicht" by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens was released on March 7, 2007. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 65 in Bach: Cantatas Vol. 18 - Disc 1 by Johann Sebastian Bach, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Ich lasse dich nicht, du segnest mich denn BWV 157: Aria: Ich lasse dicht nicht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ich lasse dich nicht, du segnest mich denn BWV 157: Aria: Ich lasse dicht nicht by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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