Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hermann Christian Polster, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist]' came out on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #50. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hermann Christian Polster, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Impromptu in G-Flat Major, Op. 90, No. 3: Andante | Franz Schubert, Vladimir Horowitz | F♯ Major | 0 | 2B | 65 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM |
Section: 0.8915009498596191
End: 0.8966336250305176