"V. Femina Amans: Hal Sabil Likhalwa (Um Al Kiram, Al-Andalus S. XI)" by Montserrat Figueras was released on January 1, 2006. With this song being about 5 minutes long, at 5:25, "V. Femina Amans: Hal Sabil Likhalwa (Um Al Kiram, Al-Andalus S. XI)" by Montserrat Figueras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Montserrat Figueras's "Lux Feminæ 900-1600" album is number 9 out of 15. Based on our statistics, V. Femina Amans: Hal Sabil Likhalwa (Um Al Kiram, Al-Andalus S. XI)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V. Femina Amans: Hal Sabil Likhalwa (Um Al Kiram, Al-Andalus S. XI) by Montserrat Figueras to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Dialogo sopra un Pass'emezzo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 116 BPM | ||
La Battaglia | Clément Janequin, Paul O'Dette | G Major | 2 | 9B | 109 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Aria | Johann Sebastian Bach, Andrew Lawrence-King | C Major | 0 | 8B | 108 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Welscher Tantz Wascha mesa - Hupfauff | Hans Neusidler, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | C Major | 3 | 8B | 86 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM |
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