"Chinonic Gustati Si Vedeti / Communion Hymn Taste and See" by Byzantion was released on March 27, 2020. With this song being about 5 minutes long, at 5:18, "Chinonic Gustati Si Vedeti / Communion Hymn Taste and See" by Byzantion is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Sfanta Liturghie a Sf. Ioan Gura De Aur / The Divine Liturgy of Saint John Chrysostom". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Turks and Caicos Islands. Chinonic Gustati Si Vedeti / Communion Hymn Taste and See is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chinonic Gustati Si Vedeti / Communion Hymn Taste and See by Byzantion having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adorate Deum - VII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Ανάστα, ο Θεός… | Musica Universalis | E♭ Major | 3 | 5B | 64 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM | ||
Salve, Carmeli Gloria, o Teresia | Arautos do Evangelho | A Minor | 1 | 8A | 97 BPM | ||
Dismissal Hymns Of The Resurrection: Fourth Mode | Basilios Psilacos | D Minor | 2 | 7A | 85 BPM | ||
Kyrie i (Lux et origo) | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | F Major | 1 | 7B | 139 BPM | ||
Agnus Dei - Missa Cum Iubilo | Arautos do Evangelho, Mons. João Clá Dias | B♭ Major | 0 | 6B | 78 BPM | ||
Rythme: Concordi Laetitia VI | Chœur des Moines de l'Abbaye Saint-Benoît du Lac, Dom André Saint-Cyr | G Major | 1 | 9B | 131 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Αι Μυροφόροι Γυναίκες… | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM |
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