Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl's 'Divertimento No. 17 in D Major, K. 334: I. Allegro' came out on January 1, 2013. Divertimento No. 17 in D Major, K. 334: I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl's "Mozart: Divertimenti Nos. 11 & 17" album is number 7 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Divertimento No. 17 in D Major, K. 334: I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divertimento No. 17 in D Major, K. 334: I. Allegro by Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Helmut Muller-Bruhl to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Piano Sonata No.13 in B flat, K.333: 3. Allegretto grazioso | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 0 | 6B | 73 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM |
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