"Ave Maria, "Ellens Gesang III", D839" by Luciano Pavarotti, Dolores O'Riordan, London Voices, Terry Edwards, Orchestra filarmonica di Torino, Marco Armiliato was released on February 12, 1996. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Pavarotti & Friends Together For The Children Of Bosnia". In this album, this song's track order is #13. Ave Maria, "Ellens Gesang III", D839 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, "Ellens Gesang III", D839 by Luciano Pavarotti, Dolores O'Riordan, London Voices, Terry Edwards, Orchestra filarmonica di Torino, Marco Armiliato having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 / Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Ann Murray, Ferruccio Furlanetto, Wiener Philharmoniker, James Levine | E Major | 1 | 12B | 170 BPM | ||
Tu e il tuo mare | Andrea Bellentani, Enrico Prandi, Luciano Pavarotti, Rob Mathes, Bulgarian Symphony Orchestra | F Major | 4 | 7B | 137 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM | ||
誰も寝てはならぬ (歌劇『トゥーランドット』より) | ルチアーノ・パヴァロッティ | B Minor | 4 | 10A | 174 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Nabucco: va pensiero | Franck Pourcel | F♯ Major | 3 | 2B | 145 BPM | ||
L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM |
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