Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage' came out on January 1, 2016. With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage by Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Cantate 78: Wir Ellen Mit Schwachen | Natalie Choquette | B♭ Major | 2 | 6B | 127 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Corelli Giga | Italian Music Players | F Major | 1 | 7B | 99 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
He Hopes I Go Crazy | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | F Major | 3 | 7B | 80 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
6 Hungarian Dances: No. 3. Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 123 BPM |
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