"Madrigal No. 2 for Oboe, Clarinet and Basson" by Bohuslav Martinů, Holzblaser-Trio des Saarlandischen Rundfunks, Jurgen Schmitt, Dietrich Fritsche, Ulrich Rinderle was released on January 1, 2009. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bohuslav Martinů, Various Artists's "Martinu: Orchestral Works - Madrigal" album is number 5 out of 10. Based on our statistics, Madrigal No. 2 for Oboe, Clarinet and Basson's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigal No. 2 for Oboe, Clarinet and Basson by Bohuslav Martinů, Holzblaser-Trio des Saarlandischen Rundfunks, Jurgen Schmitt, Dietrich Fritsche, Ulrich Rinderle to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: III. Andante cantabile | Robert Schumann, Mandelring Quartett | E♭ Major | 2 | 5B | 122 BPM | ||
Concerto for Violin and Winds: I. Con brio | George Lloyd, Cristina Anghelescu, Philharmonia Orchestra, David Parry | A Minor | 2 | 8A | 106 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Ode, Elegiac Chant in 3 parts: I. Eulogy | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Jaro v zahrade (Spring in the Garden), H. 125: II. Myslim, ze bych uz mel jit spat. (I think I should go to sleep now) | Bohuslav Martinů, Giorgio Koukl | C Major | 1 | 8B | 70 BPM | ||
Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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