"Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Bald prangt, den Morgen zu verkünden (Knaben, Pamina)" by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch was released on 1973. Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Bald prangt, den Morgen zu verkünden (Knaben, Pamina) is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 23 out of 44. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Bald prangt, den Morgen zu verkünden (Knaben, Pamina) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Bald prangt, den Morgen zu verkünden (Knaben, Pamina) by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 7: Terzetto - Cosa sento! Tosto andate | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 2 | 6B | 117 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 1: No.9: "Wohl dem, der den Herrn fürchtet" | Felix Mendelssohn, MDR Leipzig Radio Chorus, Gewandhausorchester, Wolfgang Sawallisch | G Major | 1 | 9B | 76 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scena 5. N.19 Sestetto Marcellina, Figaro, Bartolo, Don Curzio, il Conte, Susanna "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Marie McLaughlin, Patrizia Ciofi, René Jacobs, Simon Keenlyside | C Major | 2 | 8B | 83 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 11: Finale - ... Pace, Pace, Mio Dolce Tesoro! | Donato Di Stefano, Jozsef Mukk, Patrizia Pace, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 96 BPM | ||
Schubert: Deutsches Salve Regina, D. 379 | Franz Schubert, Wolfgang Sawallisch, Bavarian Radio Chorus, Elmar Schloter, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 1: Verweilt! - Ein Wort! - Ein einzig Wort! | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 1 | 8B | 87 BPM | ||
Idomeneo KV 366, Act 2, Scene I: Aria: Se il tuo duol se il mio desio (Arbace) | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Ian Bostridge, Lisa Milne | C Major | 1 | 8B | 120 BPM | ||
Strauss, R: Intermezzo, Op. 72, Act I, Scene 3: "Ich kann nicht mehr!" - Zwischenspiel. Schluss des Walzers (Christine, Lummer) | Richard Strauss, Lucia Popp, Adolf Dallapozza, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | F♯ Major | 3 | 2B | 137 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! taci, ingiusto core" | Wolfgang Amadeus Mozart, Joyce DiDonato, Luca Pisaroni, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E♭ Minor | 2 | 2A | 121 BPM |
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