Philip Glass, Quatuor Molinari made "String Quartet No. 3 "Mishima": IV. 1962: Body Building" available on June 10, 2022. With String Quartet No. 3 "Mishima": IV. 1962: Body Building being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Quatuor Molinari's "Glass: Complete String Quartets - String Quartets Nos. 1 - 4 (Vol. 1)" album is number 8 out of 15. On top of that, Canada appears to be the country where this track was created. Based on our statistics, String Quartet No. 3 "Mishima": IV. 1962: Body Building's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of String Quartet No. 3 "Mishima": IV. 1962: Body Building by Philip Glass, Quatuor Molinari to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Ambre | Nils Frahm | D♭ Major | 1 | 3B | 146 BPM | ||
Solveig's Song from Peer Gynt Suite No. 2, Op. 55 | BBC Scottish Symphony Orchestra | A Minor | 2 | 8A | 75 BPM | ||
Trio Li? | Alexei Aigui, Ensemble 4'33' | G Major | 2 | 9B | 142 BPM | ||
Spin Bird - 1 | Kate Moore, Saskia Lankhoorn | G Major | 0 | 9B | 140 BPM | ||
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM |
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