Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber's 'Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato' came out on July 5, 2011. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #3 out of 48 tracks. Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): III. Largo ben declamato being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: XIII. Der Dichter spricht | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
Two Pieces for violin, viola and piano: I. Un poco andante | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Les passions d'hiver | Rihards Dubra, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM |
Section: 0.8832690715789795
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