"Cantique à l'épouse, OP.36, No.1 (Jounet)" by Ernest Chausson, Mischa Maisky, Daria Hovora was released on January 1, 1999. With this song being about 5 minutes long, at 4:55, "Cantique à l'épouse, OP.36, No.1 (Jounet)" by Ernest Chausson, Mischa Maisky, Daria Hovora is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mischa Maisky, Daria Hovora's "Mischa Maisky - Après un rêve" album is number 13 out of 23. In terms of popularity, Cantique à l'épouse, OP.36, No.1 (Jounet) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantique à l'épouse, OP.36, No.1 (Jounet) by Ernest Chausson, Mischa Maisky, Daria Hovora to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Vineta Sareika, Amandine Savary | C Minor | 1 | 5A | 112 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 86 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Debussy: Nuit d'étoiles, CD 2, L. 4 | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Major | 0 | 5B | 71 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Wesendonck-Lieder, WWV 91: 5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog) | Richard Wagner, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A♭ Major | 1 | 4B | 82 BPM |
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