"Leise rieselt der Schnee" by Thomanerchor Leipzig, Staatskapelle Dresden, Hans-Joachim Rotzsch, Peter Schreier was released on December 2, 2016. With Leise rieselt der Schnee being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Thomanerchor Leipzig, Dresdner Kreuzchor, Windsbacher Knabenchor's "Morgen kommt der Weihnachtsmann (Weihnachten für Kinder)" album is number 17 out of 26. On top of that, Germany appears to be the country where this track was created. Leise rieselt der Schnee is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leise rieselt der Schnee by Thomanerchor Leipzig, Staatskapelle Dresden, Hans-Joachim Rotzsch, Peter Schreier to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 44, Chorale. "Befiehl du deine Wege" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | D Major | 2 | 10B | 143 BPM | ||
Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 8 Es ist ein Ros' entsprungen | Johannes Brahms, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Markuspassion: V. Was mein Gott will | Reinhard Keiser, Ensemble Jacques Moderne, Jan Kobow, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
"Bist du bei mir" (formerly attrib. J.S.Bach as BWV 508) | Gottfried Heinrich Stölzel, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 102 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Elias, Op. 70: Part I: Denn er hat seinen Engeln befohlen (No. 7 Double Quartet) | Felix Mendelssohn, Karl-Friedrich Beringer | D Minor | 2 | 7A | 121 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM |
Section: 1.1395487785339355
End: 1.1430363655090332