- BPM
- 80
- Key
- F♯ Minor
- Camelot
- 11A
8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle - Aaron Copland, Marni Nixon, Pacific Symphony Orchestra, Keith Clark Information
- Acousticness
- 98%
- Danceability
- 28%
- Energy
- 3%
- Instrumentalness
- 4%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 1%
- Loudness
- -27.396 dB
Summary
"8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle" by Aaron Copland, Marni Nixon, Pacific Symphony Orchestra, Keith Clark was released on March 1, 2012. With 8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 10 in Copland: An Outdoor Overture, Appalachian Spring & 8 Poems of Emily Dickinson by Aaron Copland, Keith Clark, Pacific Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle BPM
The tempo marking of 8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle by Aaron Copland, Marni Nixon, Pacific Symphony Orchestra, Keith Clark is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
8 Poems of Emily Dickinson: No. 2. There came a wind like a bugle Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | |
 | Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | |
 | Concerto For Flute And Harp, K. 299; 2nd Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, William Bennett, Osian Ellis | F Major | 1 | 7B | 82 BPM | |
 | Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | |
 | Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | |
 | Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | |
 | Appalachian Spring: V. Subito allegro | Aaron Copland, London Symphony Orchestra | C Major | 1 | 8B | 83 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | |
 | Delius: 2 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM |
- ISRC
- USFKZ0610773
- Label
- L-M Records/RCA Records
Section: 0.6867427825927734
End: 0.6915187835693359