Ludwig van Beethoven, Wilhelm Kempff's 'Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": III. Das Wiedersehen (Vivacissimamente)' came out on October 9, 2021. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 147 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": III. Das Wiedersehen (Vivacissimamente)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 26 in E-Flat Major, Op. 81a "Les Adieux": III. Das Wiedersehen (Vivacissimamente) by Ludwig van Beethoven, Wilhelm Kempff is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai (Cadenza Beethoven) | Wolfgang Amadeus Mozart, Ludwig van Beethoven, Hélène Grimaud, Camerata Salzburg | D Minor | 3 | 7A | 139 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |
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