- BPM
- 92
- Key
- B♭ Major
- Camelot
- 6B
Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) - Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota Information
- Acousticness
- 95%
- Danceability
- 39%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 75%
- Speechiness
- 10%
- Valence
- 8%
- Popularity
- 1%
- Loudness
- -15.191 dB
Summary
"Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara)" by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota was released on August 26, 2008. Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 13 out of 29 in Donizetti, G.: Roberto Devereux [Opera] (Bergamo Musica Festival, 2006) by Gaetano Donizetti, Marcello Rota. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) BPM
The tempo marking of Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Roberto Devereux: Act I: Ah parmi sognar (Roberto, Sara) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | |
 | Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | |
 | Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena prima: Veleno è l'aura ch'io respiro! (Poliuto/Un Christiano) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Virgilio Carbonari, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM | |
 | La Bohème / Act I: "O soave fanciulla" | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | A Major | 0 | 11B | 78 BPM | |
 | La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | |
 | La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | |
 | Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |
- ISRC
- HKI190760513
- Label
- L-M Records/RCA Records
Section: 0.8394536972045898
End: 0.8431131839752197