Sérénade italienne, Op.2, No.5 (Bourget) - Ernest Chausson, Gérard Souzay, Jacqueline Bonneau Information

Acousticness: 99%
Danceability: 44%
Energy: 3%
Instrumentalness: 12%
Liveness: 21%
Loudness: 58%
Speechiness: 4%
Valence: 20%
Popularity: 2%
Loudness: -25.454 dB

Summary

Ernest Chausson, Gérard Souzay, Jacqueline Bonneau's 'Sérénade italienne, Op.2, No.5 (Bourget)' came out on January 1, 2003. With Sérénade italienne, Op.2, No.5 (Bourget) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sérénade italienne, Op.2, No.5 (Bourget)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Sérénade italienne, Op.2, No.5 (Bourget) BPM

The tempo marking of Sérénade italienne, Op.2, No.5 (Bourget) by Ernest Chausson, Gérard Souzay, Jacqueline Bonneau is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Sérénade italienne, Op.2, No.5 (Bourget) Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite pastorale: II. Danse villageoise	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	1	11B	126 BPM
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht	Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner	G Minor	1	6A	68 BPM
Deux poèmes, Op. 34: I. La chanson bien douce	Ernest Chausson, Véronique Gens, Susan Manoff	F Minor	1	4A	81 BPM
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio	Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset	D♭ Minor	2	12A	94 BPM
Wesendonck-Lieder, WWV 91: 5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog)	Richard Wagner, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	A♭ Major	1	4B	82 BPM
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	G Minor	1	6A	126 BPM
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise	Nadia Boulanger, Nicolas Altstaedt, José Gallardo	F Major	0	7B	83 BPM
Trio for Piano, Oboe and Bassoon: Rondo - Très vif	London Conchord Ensemble	D♭ Major	2	3B	74 BPM
Piano Quartet in A Major, Op. 30: I. Animé	Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe	A Major	1	11B	78 BPM
Piano Concerto, Op. 38: 2. Moderato	Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov	D Major	1	10B	110 BPM

ISRC: GBF075510273
Label: L-M Records/RCA Records

Section: 0.690373420715332

End: 0.6939079761505127