"J.S. Bach: Suite No. 3 in D, BWV 1068 - G線上のアリア" by Johann Sebastian Bach, Mariko Senju had its release date on November 14, 2007. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mariko Senju's "G線上のアリア" album is number 4 out of 12. On top of that, Japan appears to be the country where this track was created. In terms of popularity, J.S. Bach: Suite No. 3 in D, BWV 1068 - G線上のアリア is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J.S. Bach: Suite No. 3 in D, BWV 1068 - G線上のアリア by Johann Sebastian Bach, Mariko Senju to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
黄昏のワルツ | Takashi Kako, 加古隆クァルテット | E♭ Major | 1 | 5B | 116 BPM | ||
仮面舞踏会: ワルツ | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 3 | 8A | 109 BPM | ||
Offenbach: 天国と地獄 | Cremieux & Halevy, ジャック・オッフェンバック, ウィリアム・ジョーンズ, コンセル・ソンドール | D Major | 4 | 10B | 158 BPM | ||
アヴェ・ヴェルム・コルプス(モーツァルト/清塚信也 編) | Wolfgang Amadeus Mozart, Shinya Kiyozuka | F Major | 0 | 7B | 72 BPM | ||
ヴァイオリン協奏曲 ホ短調 作品64: Mendelssohn: ヴァイオリン協奏曲 ホ短調 作品64 - 第3楽章: ALLEGRO NON TROPPO - ALLEGRO MOLTO VIVACE | Felix Mendelssohn, Sayaka Shoji, フランス放送フィルハーモニー管弦楽団, チョン・ミョンフン | E Major | 1 | 12B | 80 BPM | ||
舟歌(チャイコフスキー) | イエルク・デームス | F Major | 0 | 7B | 130 BPM | ||
スクリャービン:エチュード 嬰ニ短調 作品8-12 | Alexander Scriabin, 四月は君の嘘 僕と君との音楽帳 | E Major | 3 | 12B | 103 BPM | ||
ピアノ・ソナタ 第17番 ニ短調 op. 31-2 《テンペスト》 第3楽章 アレグレット | Ludwig van Beethoven, Toshiyuki Kamioka | A Major | 3 | 11B | 91 BPM | ||
J.S. Bach: Fugue In G Minor, BWV 578 "The Little" - 小フーガ ト短調 | Johann Sebastian Bach, ウィリアム・ジョーンズ, コンセル・ソンドール | G Minor | 1 | 6A | 78 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM |