Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle, Agnes Baltsa, Francisco Araiza's 'Così fan tutte, Act 1, Scene 4, No. 18 Finale:: Eccovi il medico' came out on August 2, 2013. The duration of Così fan tutte, Act 1, Scene 4, No. 18 Finale:: Eccovi il medico is about 3 minutes long, at 3:22. Based on our data, "Così fan tutte, Act 1, Scene 4, No. 18 Finale:: Eccovi il medico" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 2 out of 214. Così fan tutte, Act 1, Scene 4, No. 18 Finale:: Eccovi il medico is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, Act 1, Scene 4, No. 18 Finale:: Eccovi il medico by Wiener Philharmoniker, Riccardo Muti, James Morris, Margaret Marshall, José van Dam, Kathleen Battle, Agnes Baltsa, Francisco Araiza to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Piano Sonata No.16 in C, K.545 "Sonata facile": 2. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM |
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