Fritz Spindler, Willy Rehberg, Peter Phillips's 'Silberbachlein (Silver Brooklet) Op. 254 - Dc 1445' came out on January 30, 2024. The duration of Silberbachlein (Silver Brooklet) Op. 254 - Dc 1445 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Silberbachlein (Silver Brooklet) Op. 254 - Dc 1445's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Rendezvous. Piano Revelations from the Golden Age". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, Silberbachlein (Silver Brooklet) Op. 254 - Dc 1445's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Silberbachlein (Silver Brooklet) Op. 254 - Dc 1445 by Fritz Spindler, Willy Rehberg, Peter Phillips having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
玫瑰花 | 游孟婕 | E Major | 0 | 12B | 174 BPM | ||
Preludes Op.23: Preludes, Op. 23: No.2 in B-Flat Major | Sergei Rachmaninoff, Kathryn Stott | B♭ Major | 2 | 6B | 49 BPM | ||
Etude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726 | Eduardo Poldini, Peter Phillips, Desider Vecsei | A Major | 1 | 11B | 69 BPM | ||
Preludio de las Profecías Olvidadas | Luciano Keys | F Major | 3 | 7B | 99 BPM | ||
Papillons, Op. 2: No. 5 in B-Flat Major | Robert Schumann, Marc-André Hamelin | B♭ Major | 0 | 6B | 74 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 19, Grâces | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
On the Overgrown Path / Book 1: No. 5, They Chattered Like Swallows | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 66 BPM | ||
Pets Let Down Their Guard | Bernie Horatio | A♭ Minor | 0 | 1A | 65 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "Summer": II. Adagio (Arr. Saban) | Antonio Vivaldi, Ferhan Önder, Ferzan Önder | F Minor | 1 | 4A | 167 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM |
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