Variations on a Theme of Rossini, H. 290
Bohuslav Martinů, Elena Antongirolami, Melissa Galosi
Rossiniana: Themes, Variations & Fantasias
8:27 November 20, 2020
BPM
102
Key
A Major
Camelot
11B

Embed

Share Link

Variations on a Theme of Rossini, H. 290 - Bohuslav Martinů, Elena Antongirolami, Melissa Galosi Information

Acousticness
99%
Danceability
41%
Energy
7%
Instrumentalness
81%
Liveness
12%
Loudness
65%
Speechiness
6%
Valence
21%
Popularity
Loudness
-21.028 dB

Summary

Bohuslav Martinů, Elena Antongirolami, Melissa Galosi's 'Variations on a Theme of Rossini, H. 290' came out on November 20, 2020. Since Variations on a Theme of Rossini, H. 290 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rossiniana: Themes, Variations & Fantasias". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. In terms of popularity, Variations on a Theme of Rossini, H. 290 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Variations on a Theme of Rossini, H. 290 BPM

With Variations on a Theme of Rossini, H. 290 by Bohuslav Martinů, Elena Antongirolami, Melissa Galosi having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Variations on a Theme of Rossini, H. 290 Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmina by True LUFS ProjectCarminaTrue LUFS ProjectC Major28B90 BPM
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré by Maurice Ravel, Basque National Orchestra, Robert TrevinoValses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, ModéréMaurice Ravel, Basque National Orchestra, Robert TrevinoC Major08B82 BPM
Loutky, H. 116: No. 3. Colombina vzpomina (Columbine Remembers) by Bohuslav Martinů, Giorgio KouklLoutky, H. 116: No. 3. Colombina vzpomina (Columbine Remembers)Bohuslav Martinů, Giorgio KouklC Minor15A83 BPM
2 Sketches: A Northern Dance by Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones2 Sketches: A Northern DanceAdam Carse, Royal Northern Sinfonia, David Lloyd-JonesA Minor28A136 BPM
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) by Frank Bridge, Gerald Peregrine, Antony InghamBerceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano)Frank Bridge, Gerald Peregrine, Antony InghamB♭ Major06B68 BPM
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante by Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre OrchestraConcerto for Violin and Cello in A Minor, Op. 102: II. AndanteJohannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre OrchestraD Major110B175 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — by Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily SinaiskyRhapsody on a Theme of Paganini, Op. 43: Variation 17. —Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily SinaiskyF♯ Major02B172 BPM
Serenade No. 3: I. Poco allegro by Bohuslav Martinů, Prague Chamber Orchestra, Lubomir Legemza, Jan Kolar, Oldřich VlčekSerenade No. 3: I. Poco allegroBohuslav Martinů, Prague Chamber Orchestra, Lubomir Legemza, Jan Kolar, Oldřich VlčekC Major18B107 BPM
The Miracle of Our Lady, H. 236, Prologue, the Wise and the Foolish Virgins, Act I: Oh, We Foolish Virgins by Bohuslav Martinů, Marie Mrazova, Jindřich Jindrák, Bohuslav Maršík, Czech Radio Chorus, Prague Symphony Orchestra, Milan Malý, Jiří BělohlávekThe Miracle of Our Lady, H. 236, Prologue, the Wise and the Foolish Virgins, Act I: Oh, We Foolish VirginsBohuslav Martinů, Marie Mrazova, Jindřich Jindrák, Bohuslav Maršík, Czech Radio Chorus, Prague Symphony Orchestra, Milan Malý, Jiří BělohlávekB♭ Minor23A78 BPM
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep by Bournemouth Symphony Orchestra, Paavo BerglundConcert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleepBournemouth Symphony Orchestra, Paavo BerglundD♭ Major13B91 BPM
ISRC
ITN322018977
Label
L-M Records/RCA Records

Section: 0.7550246715545654

End: 0.7602512836456299