Bohuslav Martinů, Elena Antongirolami, Melissa Galosi's 'Variations on a Theme of Rossini, H. 290' came out on November 20, 2020. Since Variations on a Theme of Rossini, H. 290 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rossiniana: Themes, Variations & Fantasias". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. In terms of popularity, Variations on a Theme of Rossini, H. 290 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations on a Theme of Rossini, H. 290 by Bohuslav Martinů, Elena Antongirolami, Melissa Galosi having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Loutky, H. 116: No. 3. Colombina vzpomina (Columbine Remembers) | Bohuslav Martinů, Giorgio Koukl | C Minor | 1 | 5A | 83 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre Orchestra | D Major | 1 | 10B | 175 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Serenade No. 3: I. Poco allegro | Bohuslav Martinů, Prague Chamber Orchestra, Lubomir Legemza, Jan Kolar, Oldřich Vlček | C Major | 1 | 8B | 107 BPM | ||
The Miracle of Our Lady, H. 236, Prologue, the Wise and the Foolish Virgins, Act I: Oh, We Foolish Virgins | Bohuslav Martinů, Marie Mrazova, Jindřich Jindrák, Bohuslav Maršík, Czech Radio Chorus, Prague Symphony Orchestra, Milan Malý, Jiří Bělohlávek | B♭ Minor | 2 | 3A | 78 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM |
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