- BPM
- 74
- Key
- E Minor
- Camelot
- 9A
The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) - London Symphony Orchestra, André Previn Information
- Acousticness
- 99%
- Danceability
- 56%
- Energy
- 30%
- Instrumentalness
- 94%
- Liveness
- 14%
- Loudness
- 74%
- Speechiness
- 3%
- Valence
- 54%
- Popularity
- 4%
- Loudness
- -15.438 dB
Summary
London Symphony Orchestra, André Previn made "The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I)" available on 1987. The duration of The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tchaikovsky: The Nutcracker, Sleeping Beauty & Swan Lake (Highlights)". In this album, this song's track order is #15. The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) BPM
With The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) by London Symphony Orchestra, André Previn having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The Nutcracker - Ballet, Op.71 (1987 - Remaster): No. 2 - Marche (Act I) Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | |
 | Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | |
 | Night At The Museum | Alan Silvestri | A♭ Major | 3 | 4B | 129 BPM | |
 | 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | |
 | Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | The Battle | Hans Zimmer, Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra | C Major | 4 | 8B | 84 BPM | |
 | The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | |
 | Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6715478897094727
End: 0.6750309467315674