Robert Schumann, Martin Stadtfeld made "Study (After "Die Rose, die Lilie, die Taube, die Sonne" from Dichterliebe, Op. 48, No. 3)" available on April 9, 2021. With Study (After "Die Rose, die Lilie, die Taube, die Sonne" from Dichterliebe, Op. 48, No. 3) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Piano Songbook". In this album, this song's track order is #6. In terms of popularity, Study (After "Die Rose, die Lilie, die Taube, die Sonne" from Dichterliebe, Op. 48, No. 3) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Study (After "Die Rose, die Lilie, die Taube, die Sonne" from Dichterliebe, Op. 48, No. 3) by Robert Schumann, Martin Stadtfeld having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Kreisleriana, Op. 16: No. 4, Sehr langsam | Robert Schumann, Hélène Grimaud | B♭ Major | 0 | 6B | 70 BPM | ||
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 4, Mein schöner Stern! (Langsam) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | E♭ Major | 1 | 5B | 167 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM |
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