"Transformation" by Benjamin Wallfisch was released on September 8, 2017. With Transformation being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Benjamin Wallfisch's "IT (Original Motion Picture Soundtrack)" album is number 31 out of 38. On top of that, United States appears to be the country where this track was created. Based on our statistics, Transformation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Transformation by Benjamin Wallfisch to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In This Together | Rupert Gregson-Williams | G Minor | 1 | 6A | 120 BPM | ||
Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
He's Gone | Benjamin Wallfisch | D♭ Major | 1 | 3B | 62 BPM | ||
The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
London 1998 | Howard Shore | D Minor | 0 | 7A | 65 BPM | ||
Alice | Martin Phipps | E Minor | 1 | 9A | 75 BPM | ||
The Purpose | Atticus Ross | F Minor | 1 | 4A | 90 BPM | ||
Come Back to Me | Roque Baños | B♭ Major | 0 | 6B | 96 BPM | ||
Delivering the News | Howard Shore | A Minor | 0 | 8A | 117 BPM |
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