Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 15, Der Alpenjäger' came out on January 1, 2016. The duration of Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 15, Der Alpenjäger is about 3 minutes long, at 3:19. Based on our data, "Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 15, Der Alpenjäger" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 15, Der Alpenjäger is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 15, Der Alpenjäger by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
German Mass, D.872: Agnus Dei: Mein Heiland, Herr und Meister | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D♭ Major | 3 | 3B | 112 BPM | ||
Des Einsamen Klage | Johann Friedrich Reichardt, Reinaldo Dopp, Albrecht Hartmann | A♭ Major | 0 | 4B | 81 BPM | ||
Action in War | James Wong | E♭ Major | 1 | 5B | 83 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM | ||
Mozart: Die Zauberflöte, K. 620: "In diesen heil'gen Hallen" (Sarastro) | Wolfgang Amadeus Mozart, Kim Borg, Horst Stein, Deutsches Symphonie-Orchester Berlin | E Major | 1 | 12B | 78 BPM | ||
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Vöglein fliegt dem Nestchen zu | Peter Cornelius, Antonia Bourvé, Nadine Schuster | D Major | 0 | 10B | 127 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Bach-Gounod: Meditation over a theme of Bach | Conrad Zwicky | C Major | 0 | 8B | 75 BPM | ||
Miltons Morgensang: Ihr Quellen (Tenor) | Johann Friedrich Reichardt, Carola Nossek, Annette Markert, Ekkehard Wagner, Andreas Scheibner, Berlin Singakademie, Staatskapelle Berlin, Dietrich Knothe | E Minor | 1 | 9A | 88 BPM |
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