Fritz Wunderlich's 'Ach, wie so herrlich zu schau'n' came out on 2017. The duration of Ach, wie so herrlich zu schau'n is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ach, wie so herrlich zu schau'n's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #2. Ach, wie so herrlich zu schau'n is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ach, wie so herrlich zu schau'n by Fritz Wunderlich having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Die Lustige Witwe: Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied / Act 2) [Léon & Stein] | Franz Lehár, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
An die ferne Geliebte, Op. 98: 1. Auf dem Hügel sitz ich spähend | Ludwig van Beethoven, Fritz Wunderlich, Heinrich Schmidt | G Major | 1 | 9B | 85 BPM | ||
Don Pasquale / Act I: Bella siccome un angelo | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | D♭ Major | 1 | 3B | 74 BPM | ||
Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Zärtliche Liebe, WoO 123 "Ich liebe dich" | Ludwig van Beethoven, Fritz Wunderlich, Rolf Reinhardt | G Major | 2 | 9B | 91 BPM | ||
Billy Budd, Op. 50, Act II: Billy in the Darbies: Look! Through the port comes the moonshine astray | Benjamin Britten, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F Major | 0 | 7B | 168 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM |
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