"String Quartet in G Minor, Op. 74 No. 3 "Rider": II. Largo assai" by Joseph Haydn, Takács Quartet had its release date on October 31, 2011. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Takács Quartet's "Haydn: String Quartets, Op. 74 "Apponyi Quartets"" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, String Quartet in G Minor, Op. 74 No. 3 "Rider": II. Largo assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in G Minor, Op. 74 No. 3 "Rider": II. Largo assai by Joseph Haydn, Takács Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Gregor Piatigorsky, Ralph Berkowitz | G Major | 1 | 9B | 68 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
Concerto for Double Bass 1st Movement | Antonio Capuzzi, Martin Smith, Catherine Milledge | E♭ Major | 0 | 5B | 115 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: III. Allegro con fuoco | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | D Major | 3 | 10B | 147 BPM | ||
String Quintet No. 2 in G Major, Op. 111: II. Adagio | Johannes Brahms, Gringolts Quartet, Lilli Maijala | F Major | 0 | 7B | 85 BPM | ||
Fantazia of Foure Parts | Orlando Gibbons, Mishka Rushdie Momen | A Minor | 0 | 8A | 64 BPM |