Henry Purcell, William Christie, Les Arts Florissants's 'Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus]' came out on January 1, 1995. The duration of Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus] is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Purcell : Dido & Aeneas". In this album, this song's track order is #13. Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus] by Henry Purcell, William Christie, Les Arts Florissants having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 23 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue" | Henry Purcell, Norma Burrowes, Felicity Lott, The London Opera Chorus, Aldeburgh Festival Strings, Steuart Bedford | C Major | 2 | 8B | 94 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Rondeau | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
Section: 0.9361696243286133
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