Arthur Sullivan, Sir Geraint Evans/Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's 'The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: I have a song to sing, O! (Elsie, Point, Crowd)' came out on 1992. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 26 in Favourite Gilbert & Sullivan by Arthur Sullivan, Sir Malcolm Sargent. The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: I have a song to sing, O! (Elsie, Point, Crowd) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: I have a song to sing, O! (Elsie, Point, Crowd) by Arthur Sullivan, Sir Geraint Evans/Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Benatzky & Stolz: Im weißen Rößl: "Mein Liebeslied muss ein Walzer sein" (Doktor Siedler, Ottilie) | Ralph Benatzky, Robert Stolz, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | C Major | 2 | 8B | 92 BPM | ||
The Mikado: As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Bernstein - I hate music!: I hate music! | Leonard Bernstein, Barbara Bonney, Malcolm Martineau | E Minor | 1 | 9A | 77 BPM | ||
Sebben, crudele | Antonio Caldara, Ramón Vargas | A Major | 2 | 11B | 95 BPM | ||
19. In vain to us you plead | Arthur Sullivan, Pauline Wales, Jennifer Toye, Thomas Round, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 1 | 5B | 80 BPM | ||
"Oh! a private buffoon" | Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 3 | 5B | 57 BPM | ||
The Medium: Monica's Waltz | Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 1 | 6A | 169 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM | ||
H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM |
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